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Item Nr. 61125

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From the blog

Canon 28-70mm f/2.8 IS STM - Not premium, but still good?

There are already quite a few standard zooms on the market - however, almost all of them have a continuous aperture of f/2.8 in the manufacturers' high-end lines, which also puts these lenses in the "premium" category in terms of price. With the new 28-70mm f/2.8 IS STM, Canon wants to change this. Find out how the lens compares to the alternatives in this blog post with video.

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Bundles with Sony SEL 200-600mm f/5.6-6.3 G OSS Sony FE-Mount

Sony SEL 200-600mm f/5.6-6.3 G OSS + Telekonverter SEL-20TC 2.0x Sony FE-Mount

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Sony SEL 200-600mm f/5.6-6.3 G OSS + SEL-14TC 1.4x Telekonverter Sony FE-Mount

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Sony SEL 200-600mm f/5.6-6.3 G OSS Einzelstück Sony FE-Mount

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Lenses - it's all about the mount

So that variety does not lead to confusion: The compilation optimizes the selection options for interchangeable lenses by mount and provides a convenient and quick guide to which lenses from the various manufacturers are available for the desired purposes. Whoever opts for a Canon body can choose between lenses for the Canon system cameras (EF-M) between fisheye, zoom and wide-angle lenses from Canon and Samyang, the full-frame-compatible lenses for Canon full-frame SLR cameras (EF)lenses, specially tailored to the EOS SLR cameras, with a wide range from macro to super wide-angle, the lenses considered to be the non-plus-ultra L-series lenses as well as lenses that allow video functions. There is also a wide variety of lenses for Canon EOS digital SLR cameras with APS-C sensors, more compact cameras with smaller sensors, with their EF-S bayonet both EF and EF-S lenses can be used. The selection of lenses from Zeiss, whose quality can hardly be surpassed, through to lenses for the smaller budget from Walimex or Tokina. Enthusiasm also arises at Nikon: the photo enthusiast chooses between lenses for Full-frame SLR cameras (FX) for SLR cameras (DX) and for System cameras (CX). The bayonet adapter ensures compatibility here. For Sony, the lenses are compatible with the bayonet mounts for E-mount, FE-Mount (stands for Full Frame E-mount), A-mount and the A-Mount full frame camera. Because the choice of lens is essential for correct focusing and image quality Lenses with MFT bayonet, a standard developed by Olympus (Pen or OM-D) and Panasonic (Lumix), can be used for a whole range of mirrorless system cameras. The Micro Four Thirds bayonet mounts allow for a wide variety of lenses, variable focal lengths (macro to telephoto) as well as fixed focal lengths, wide-angle or macro. Sigma offers fixed focal lengths, standard and for full format and for SLR bodies with APS-C format. Suitable for Fujifilm are the lenses for the X series, which fit Fujifilm digital cameras, as well as Fuji medium format (standard, standard zoom and telephoto). Pentax also offers a wide range of lenses with the Pentax K-mount as well as lenses with the Pentax K full-frame mount which also fit full-frame SLR bodies, as well as full-frame lenses (Pentax K full-frame), and lenses that fit digital Pentax SLR cameras, regardless of whether they have a full-frame or APS-C sensor. In addition, the lenses suitable for digital Pentax Q system cameras and for Pentax medium format. Who wants to be in the top class of Leica or Hasselblad will be well served by the top-class Leica lenses with their outstanding processing quality and feel, as well as outstanding lens accessories for the various bodies: For example, the fast portrait lens Nuctilux or a Primoplan from Meyer-Optik G?rlitz, other lenses from Voigtl?nder or Zeiss for the Leica M, Elmar (telephoto and zoom), Summicron (portrait), Summarit (macro) Elmar (telephoto) for Leica S, Leica SL (Elmarit for full-frame and SL) and with the various Elmar wide-angle and telephoto zooms, the classic Summicron and Summilux focal lengths or the macro Elmarit for Leica T/TL, but as with all Leica lenses, you have to dig deep into your pockets. In terms of price, this applies even more to the various lenses that can be used for both Hasselblad X and H, including perfect standard and travel lenses or a retrofocus for creative photography, for particularly poor lighting conditions as well as for action photography - all lenses belong to the absolute top class.